Rus News Journal

Life against inclined

the Psychological thriller do not release me (Never Let Me Go) it is removed by young director Mark Romanekom on motives of the best seller of Kadzuo Isiguro, in which centre of a plot - a love triangle between child-hood friends, but not idle time, and with a bias in science fiction: heroes live in alternative invented England 1990 - h where people already have with might and main learnt to clone each other. At first two girls and the boy consider themselves and all the others who is brought up with them in a boarding school, usual children, but soon learn that on reaching majority they should make the self-sacrifice certificate for the sake of which them, actually, and grew up. Adults gradually prepare heroes for their mission (without daring to tell at once it simply that are going to start up them for bodies). After school them move in a country cottage where they gradually get acquainted with world around from which before have been isolated, and continue to complicate the and so the mutual relations confused since the childhood.

a narration in do not release me it is conducted on behalf of one of heroines: it is played by Keri Malligan, the actress who in any offered circumstances keeps one look - the barefoot orphan freezing under a fence which and this time when action occurs on the brink of disaster, appears very opportunely. Near to it Kira Najtli looks much more multiplane actress, and its heroine with looking out of - under chelochki sad eyes which with jealousy separates two best friends, - much less unequivocal and predicted character. A top of a triangle, the boy with the strong emotions, not able them to supervise, plays Andrew Garfild, for which film do not release me Became, probably, in any sense rest and warm-up before coming it vzhivaniem in an image of the Spiderman.

the aspiration to find a visual equivalent to specific stylistics of the literary primary source has forced authors of a screen version to refuse usual genre receptions of science fiction - in do not release me on a picture there is nothing futuristic as action occurs not in the concrete future, and in certain abstract bezvremene. The film also lays aside a complex slippery morally - the ethical questions connected with cloning and a spare-part surgery - authors emotions of heroes over which they put psychological experiment interest first of all. Its results, however, appear extremely predicted: basically, experiences of the clone knowing that will disassemble it one of these days on spare parts, a little than differ from experiences of the cancer patient in any soap opera: Only in the face of closely come nearer death he understands, how it is necessary to appreciate every minute the existence and each minimum gleam of love which relatives are capable to present to it.

in hire since March, 10th