In all protest voiceIn the centre of design ARTPLAY the exhibition " has opened; silence is a death. Art. Protest. Rock ` n ` roll. 1980 - 2010s “ made “ the Project FAT “ together with “ the Guerrilla museum “ that is, simply speaking, the curator Tatyana Volkovoj. Actual art is rare when sounds - in direct and figurative sense - so is actual, considers Anna TOLSTOV.
the concert at opening proceeded hours six: new heroes of our time, first of all “ Arcady Kots “ thundered on all Internet a hit “ Walls will fail “ sung in avtozake, were replaced still by quite live and vigorous classics - Vasily Shumovym, Herman Vinogradovym and chelovekomashinnym Alexey Shulgin`s duet and 386 DX. Veterans from " At last have with great dispatch revived old customs; Central Russian upland “. In short intervals made the way humiliating “ Voice of Freedom “ - The new interactive sampler of group Electroboutique and Sergey Kasicha, uniting snow-white clavichords with the TV where it is possible to choose any talking head - though the president though Xenia Sobchak, and to improvise cacophony from their remarks, enjoyed wide popularity of public. Anyway eclipsed well-known “ the Protest karaoke “ Ivan Brazhkina, offering to echo krichalkam demonstrators of all countries and the people. However, all interactive units, all going to a mode non - stop musical videos and even a live concert at times blocked sonorous voices Pussy Riot: a clip “ Release a stone blocks! “ on motives of performances the punk - feminists in the Moscow underground and on roofs of trolley buses twisted in a separate hall “ tribjuta “ filled with posters, slogans, objects and clips from actions in support of group.
to Prepare an exhibition about stories of a revolutionary alliance of the modern art and fate - in Russia the curator Tatyana Volkova has begun music approximately one year ago when work on another it " came to the end; protest “ the project - festival “ Media blow “ from the parallel program 4 - j Moscow biennial. Then Pussy Riot also in pomine was not, but now they involuntarily became headliners “ Silences “ and, being behind bars, have brought split in numbers of prospective exhibitors. In one exhibition with Pussy Riot have flatly refused to participate “ “ Dee papl “ under plywood “ as a part of Boris Matrosova and Alexander Petrelli, and also a star “ Fly agarics “ Konstantin Zvezdochetov. With “ Fly agarics “ the enfant terrible of the Moscow art scene 1980 - h, skilfully pretending to be rokerami, should begin the project: under the legend, them ernichesky “ the Gold disk “ became last album forbidden in the USSR. The others “ fly agarics “ meanwhile participation have not refused. From “ the Gold disk “ are cut out all zvezdochetovskie parties, and a video picture with the magnificent five podretushirovana: Sven Gundlah, brothers of Mironenko and Alexey Kamensky on each side, and a figure “ otkaznika “ in the centre it is replaced by application with the image of a gold-domed temple of the Christ of the Savior.
“ silence “ breaks up on two parts - actual and historical. In actual - today`s music of barricades, that that walks videoclips on free network space, sometimes coming on exhibitions of such curators - radicals, as Andrey Yerofeev, as “ PG “ “ Bombily “ or “ Drisnja and Naked Alsu “ - groups nevertheless not musical, but art. Also the present masterpieces like " here come across; Demonstrations of anarchists on May, 1st, 2008 “ Dmitry Bulnygina, but as a whole at each clip separately the protest maintenance is usually more important than formal advantages. However gathered, in a synchronous pulsation of screens and veins, they shout that the country waits for something, as during Victor Tsoy`s epoch. The historical part tells mainly about groups 1980 - h, created to artists or at their active cooperation - from “ Fly agarics “ and “ Central Russian upland “ to “ Cinema “ and “ the Priest - mechanics “. Here it is possible to see nju - vejverskie objects, dresses, posters and backs like covered sotsrealisticheskoj a mosaic and a fresco of a stringless guitar of Sergey Vorontsova or a rag in graffiti “ New artists “ - this bohemian surroundings is familiar to the wide spectator on solovevskoj “ Asse “. As that Moscow and Leningrad art fate - hooliganism of prereorganization and reorganisation years by the little differed that occurred then in nju - jorkskih “ villidzhah “. But fury from which the dying Soviet mode snatched on a youth counterculture to what archival any selection of prohibitive circulars testifies, gave to an earring in an ear of boy Bananana political sense. Concert photos and covers of albums “ ordinary “ not art, the fate - groups of that time is better than any political analysts say that stylistic disagreements with the power were ready to turn to the public energy, told this power “ forgive “ in August 1991 - go. Parallels between “ now “ and “ before “ “ silence is a death “ specially does not spend - they arise.